Topics related to DJ training, trends, set lists, advice, and general information

DJ Set Notes – 7/6/23

Notes from my 10:30p set, along with starting and final set lists:

Jen had wrapped up her set with the Benny Goodman classic Sing, Sing, Sing, a selection intended to support a jam circle — and that it did. I had Chick Webb’s Spinnin’ the Webb slated to start the set initially, but after seeing the jam circle, I decided to swap in Lionel Hampton’s Flying Home (in retrospect I might alternatively have gone with The Dipsy Doodle – Chick Webb) to keep the energy up with another well-known, hard-swingin’ classic (and reference/continuity with Benny Goodman Orchestra). Seeing good response on the dance floor, I queued up Sent For You Yesterday – Count Basie (later recording with Joe Williams on vocals) next to bring the tempo back down a bit (after what were effectively two higher tempo selections back to back) while maintaining energy and familiarity.

Hit a slower, bluesy groove with Do Nothin’ Till You Hear From Me – Cootie Williams, followed by They Raided The Joint – Roy Eldridge, keeping the general groove going and picking the energy up a little more. When I’ve Got a Feeling I’m Falling – Louis Armstrong started, another impromptu jam circle formed (which I hadn’t been expecting), so to keep the energy going, I queued up the Lionel Hampton standby Hey, Ba-Ba-Re-Bop and then Six Appeal from Benny Goodman Sextet with Charlie Christian.

As we got more into late night, I threw in an Erroll Garner take on Somebody Loves Me and then a little reference paring: Flip Phillips’ Salute To Pres (a nickname for Lester Young) followed by Almost Like Being In Love from Lester Young with Oscar Peterson Trio.

Wrapped up with Dove Springs Bungalow from local group Texas Moaners and the late night send-off Moonglow – Benny Goodman.

As can be seen from the loose starting point set, a fair bit was swapped, added or moved around, based on what seemed to be working with the groove, energy and response from the floor during this particular set.


Starting point set

Final version


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Weekly Dance DJs Needed

Excited to be dancing at The Fed? So are we! But we don’t have enough DJs to keep the music going and we need YOU to step up and DJ with us on Thursdays. We have a great mentorship program to train you so don’t think you’ll be left hanging on your own. And we will provide you with a starter pack of music guaranteed to keep dancers on the floor. DJs get paid for each shift. If you like dancing, help us keep the music playing by becoming a new DJ at The Fed! If you’re interested, contact the DJ Coordinator Keli Hawthorne at .

Classical Music Inspires Swing

At this year’s Balboa Experiment, Kate Hedin played a set of Swing music that was “classically” inspired, meaning it had many riffs and themes lifted from or inspired by classical music.1 Mike Guzzo, a dancer from the East Coast and excellent DJ in his own right, kicked off an excellent Facebook discussion based around Kate’s inspirational set. For those of you who aren’t Facebook friends with Mike, I’ve compiled the highlights and songs contributed by other Swing music geeks here (most of them by Kate), hopefully inspiring you to find Swing songs with a connection to Classical Music. (Not all classically inspired Swing songs will be danceable, but are a lot of fun to hear!)


Swing Version Classical Version
Moon Love (Glenn Miller) Tchaikovsky 5th Symphony, 2nd Movement
Going Home (Glenn Miller) Deep River, Dvorak’s 9th
Caprice XXIV Paganini (Goodman) Caprice No. 24 by Niccolo Paganini
Peter and the Wolf (Goodman) Peter and the Wolf by Provofiev
Bounce of the Sugar Plum Fairy (Kirby) Tchaikovsky’s “Dance of the Sugar Plum Fairy”, from The Nutcracker
Swan Lake (Eddie Condon) Tchaikovsky – Swan Lake (Swan Theme)
Humoresque (Glenn Miller) Dvorak – Humoresque
Night on Bald Mountain (Mint Julep Jazz Band) Mussorgsky – Night On Bald Mountain
Chopin’s Minute Waltz (Charlie Ventura Septet) Chopin Minute Waltz
In An 18th Century Drawing Room (Raymond Scott)3 Mozart – Sonata #3 in C Major)
Prelude in C Sharp Minor (Jack Teagarden) Rachmaninov – Prelude in C Sharp Minor
Anitra’s Dance (Jack Teagarden) Grieg – Anitra’s Dance – Peer Gynt Suite
Prelude in G Minor (Jack Teagarden)4 Prelude in G Minor (Rachmaninoff)
Bacarolle (Jack Teagarden)4 Barcarolle (Jacques Offenbach)


1 Due to a broadcast boycott in 1941 when ASCAP tripled their licensing fees, bandleaders who wanted airplay recorded music that was in the public domain, from folk songs to classical music, in their preferred styles. [Source]

2 There’s a CD compilation of many classical inspired songs: Beethoven Wrote It… But It Swings

3 Raymond Scott has an interesting history and legacy, namely Powerhouse, which many will remember from a slew of Looney Toons cartoons.

4 You can find samples of the songs here.

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DJ Round Robin

On October 24th, 2019, four DJS will be presenting the best music for your dancing pleasure in a unique format where they’ll riff off of, one-up, or just compliment each other throughout the evening trading mini-sets. It’s going to be an exciting night of dynamic DJing, awesome music and great dancing! Come listen to and dance to  Keli, Lian, George and Kevin.

Normal pre-dance lesson from 8:15 to 9 PM.

It’s Sham Sham Time

Frankie Manning, Ambassador of Lindy Hop, member of Whitey’s Lindy Hoppers and the Harlem Congeroo Dancers, Tony Award Winner for Black and Blue (at the age of 75!), and beloved mentor to hundreds of dancers throughout his instruction in the latter part of the 20th century and early Aughts, is also one of the notable godfathers of the Savoy Shim Sham (also known as the Shim Sham Shimmy).

The Savoy Shim Sham itself is based in the tap version of the dance created by Leonard Reed and Willie Bryant, originally called the “Goofus”, in the late 1920s. According to Frankie’s biography, “At the Savoy Ballroom, some Lindy Hoppers did the Shim Sham as a group line dance, without the taps. A bunch of dancers would just jump up and start doing the Shim Sham on the side of the ballroom, over in the corner”.  In the mid-80’s, Frankie introduced the line dance to the New York Swing dancers, building it out to the full 32-bar chorus we dance today.

The Savoy Shim Sham is just one of several Swing dancers around the world perform: Al Minns’ and Leon James’ version; Dean Collin’s Shim Sham (he had two variations, elements of the earlier incarnation can be seen here, and the wider performed version here); and of course, the original tap version.

In 2012, George Gee (an East Coast bandleader) released a live version of the Shim Sham, called by Frankie, available for free! You can download this version here (click the little download icon beneath the waveform). This is the song that will be played throughout the summer of 2019 for the Syndicate Shim Sham, where we can experience of the great Frankie Manning calling it for us!

If you’re interested in learning the Shim Sham, the Syndicate will occasionally offer group lessons (usually in August and December). Keep an eye on the newsletter and/or blog and/or Facebook for announcements. You also can contact the Syndicate using the form below the video to let us know your interest!

And now, for your viewing pleasure, here’s Frankie calling the Shim Sham in 1988!


About the Cover Image

Frankie Manning Calling the Shim Sham at this 85th Birthday Celebration at Roseland Ballroom in 1999 – Recorded in Swingin’ Away. With Chazz (Frankie’s son, to Frankie’s right) and Charlie (to Frankie’s left). From, Frankie’s 85th in NYC.


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DJ Battle of the Bands, Fourth Edition

31 January 2019, Texas Federation of Women’s Clubs, Austin, Texas

The Austin Swing Syndicate held its fourth semi-annual Battle of The Bands (via recorded music), with Lionel Hampton1 going head to head with his former bandleader, and second time Syndicate Battler, Benny Goodman2. Tommy Dorsey3 made his debut in the dance hall to make this a trifecta of bandleaders who were the masters of their instruments.

Dorsey, a king of the ballad and pop song, played every Swing tune in his book, including his signature tune penned by Sy Oliver, Well Git It. Hamp delighted with his different arrangements of Flying Home and exquisite vibraphone playing. Yet it was Goodman, who came out Swinging with the first song of his first set with the Mary Lou Williams’ boogie composition, Roll ‘Em, that ultimately took home the Syndicate honors as the winner of the Battle of the Bands!

The Winner: Benny Goodman (DJ Nik)

Here’s the slideshow from the evening:

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And if you’re interested in the songs played that evening:


References for the material:

  1. Benny Goodman – Wikipedia
  2. Tommy Dorsey – Wikipedia
  3. Lionel Hampton – Wikipedia
  4. Lionel Hampton –

1 Hampton (or Hamp) was presented by DJ Mike Roberts

2 Goodman was presented by DJ Nik Brauer

3 Dorsey was presented by DJ Emelise Baldwin

All of the DJs did amazing! This was Emelise’s first full DJ set against veterans of the craft!

DJ Battle of the Bands, Third Edition

20 September 2018, Texas Federation of Women’s Clubs, Austin, Texas

On March 7th, 1937, Chick Webb and His Orchestra were defeated by Duke Ellington and his Orchestra. Duke’s drummer, Sonny Greer, later stated “We tore them up, man!”

But the defeat was not to last. In an epic rematch, Chick (DJ Lian) squared off against Duke (DJ Gina) LIVE (via recorded music) at the Texas Federation of Women’s Clubs and eked out a single vote victory over Duke. Both bands played great, reaching deep into their catalogs in an attempt to one-up the other player and entertaining the audience throughout the evening. Chick closed it out with Lindy Hopper’s Delight that culminated in a rousing jam circle!

The Winner: Chick Webb (DJ Lian)

Please enjoy the slide show that was presented with all the interesting facts for each of the bands, including a special spotlight on Ella Fitzgerald, the “first lady of song.”


References for the material:

  1. Duke Ellington – Wikipedia
  2. Duke Ellington – Official website
  3. Sonny Greer – Interview
  4. Sonny Greer – We tore them up, man!
  5. Ella Fitzgerald – Wikipedia
  6. Mary Lou Williams – Wikipedia
  7. Chick Webb – Wikipedia

A big thanks to Gina and Lian for their extraordinary DJing this evening!

Awesome Mix – 19 July 2018

As promised, we’ll be sharing set lists or highlighted songs for the various DJs from each Main Room evening. Below are the sets from the 19th of July. Please note that DJing is a skill and each set is created in real time based on the needs of the floor. The exact same songs could be played the following week, but in a different order to create a different feeling based on the dancer’s needs (not that any DJs would repeat the entire content of a set from week to week).

DJ Lian (9 to 10 PM)

Click the image to enlarge

DJ Joanna (10 to 11 PM)

Click the image to enlarge

DJ George (11 PM to 12 AM)


The Track Podcast

Ryan Swift is a photographer, dancer, and DJ based in NYC. He’s been dancing since 1998 and DJ’d around the world, DJing for numerous Lindy Hop exchanges, dance camps, weekend workshops, and competitions, including national events such as the International Lindy Hop ChampionshipsStompologyUltimate Lindy Hop Showdown & Frankie100, and at NYC events like Lincoln Center’s Midsummer Night Swing. He has also served as head DJ at events like LindyFest & Lindy Focus. (1) For more information about Ryan, visit his website.

He’s also been the host of Inside the Dancer’s Studio at LindyFest in which he’s asked extremely insightful questions of prominent members of the dance community, such as Dawn Hampton to top level instructors. In 2015, he launched The Track Podcast, where he does longer former interviews with musicians and dancers in the national scene today.

Definitely explore the whole catalog of episodes that are available at The Track Podcast, but I’ve highlighted a few episodes of interest to DJs and dancers below as it relates to playing music for dancers; a veritable who’s who of DJ’s and musicians in the modern scene today.  Each episode has show notes, so you can skip specific topics they cover.

Laura Windley

The Track  014 – Laura WindleyLaura Windley is the bandleader and vocalist for the Mint Julep Jazz Band, a featured band at Austin’s own Hot Rhythm Holiday. She’s been a special guest and vocalist for the Lindy Focus All Star Band, Michael Gamble’s various bands, and many others A renowned DJ in her own right, she has a deep knowledge of music and has been a DJ at events such as All Balboa Weekend, Eastern Balboa Championships, and many more. She is the author of Lindy Shopper. Here’s Laura singing Betcha Nickel at Lindy Focus in 2016 (if you have a keen eye, you’ll see former Austin resident Jonathan Doyle on the sax).

Key highlights for this episode: The whole thing!

Shana Worel

The Track 004 – Shana WorelShana Worel is a dancer, instructor, and DJ in Southern California. She’s been a featured DJ at All Balboa Weekend, Lindy Focus, California Balboa Classic, Camp Hollywood, Lindy on the Rocks, The Balboa Experiment, Rocky Mountain Balboa Blowout and many other events. Extremely well versed in music, she’s a valuable resource when it comes to playing music for Swing dancers and is more than happy to help new DJs learn (especially if that interest includes Lionel Hampton).

Key highlights for this episode:  what is the difference between music for Balboa and Lindy Hop, and a great discussion on the history of Balboa.

Jonathan Stout

The Track 008 – Jonathan Stout – Band leader, arranger, rhythm and lead guitarist, occasional drummer, dancer and DJ, Jonathan Stout is an impressive figure in Swing music. He leads the Campus Five (featuring Hilary Alexander) and The Jonathan Stout Orchestra (featuring Hilary Alexander), as well as a other projects.  Since 2015, he’s been the band leader for the Lindy Focus All Star Orchestra, a band that has produced some of the best and most energetic live music honoring the originals.  [See below for Lindy Focus Playlists (2)]

Key highlights for this episode: what makes a good song for swing dancing and a great discussion on musicality.

Josh Collazo

The Track 021 – Josh Collazo – Josh Collazo is the drummer for Jonathan Stout, the Lindy Focus All Star Orchestra, as well as a host of other bands in the Swing dance world. A band leader as well, he’s had a few projects, such as the The Feetwarmers, an LA based band; in 2015, he started the Candy Jacket Jazz band. He also is a dancer. Outside of the dance world, he plays drums for a little band called Edward Sharpe & the Magnetic Zeros, a Grammy-winning and platinum-selling American rock folk band. Not only that, he is a dancer. [For an interview specifically about drumming, see below (3)]

Key highlights for this episode: the technique and music theory of what provides an authentic swing era sound, how his passion for swing dancing in the late 90s influenced his development as a drummer, and what it’s like to fill the shoes of drum legends like Gene Krupa and Chick Webb at the Lindy Focus tribute nights. (1)

Michael Gamble

The Track 015 – Michael Gamble – Asheville, NC native Michael Gamble wears many hats in the fifteen years he’s been swing dancing: Bandleader (Michael Gamble and the Rhythm Serenaders, bassist, arranger, transcriber, and DJ. He also one of the co-organizers for Lindy Focus, one of the largest, best run, and preeminent dance events in the US, not just as a dance camp, but as an event that works to further the Swing dance community through providing the high level instruction, the best music (the transcription projects! more on that in a future post), and being a leader in the Safe Spaces discussion and implementation of creating a welcoming and safe place for dancers. He’s been the head DJ for Beantown, Lindy Focus and the European Swing Dance Championships, and a featured DJ at Herrang Dance CampILHC, and the Lone Star Championships, to name a few.

Key highlights for this episode: how DJs carry the responsibility for furthering jazz literacy in an era focused on live music, and the the challenges of transcribing a classic swing song (1)

Rob Moreland

The Track 010 – Rob Moreland – For fifteen years Rob Moreland has been DJing for Swing dancers around the country, DJing long-running nationally-known venues in Raleigh, LA, New York City, Washington DC, Denver and other cities; one of the featured DJs at StompologySwing Out New Hampshire, and the Nevermore Jazz Ball..  He DJed at the Basie Centennial Ball in 2004 and in 2018 continues to be the head DJ for Lindy Focus.

Key highlights for this episode: DJ mistake horror stories, the differences between DJing at large national events and local regular gigs, preparing for gigs & contest music, and advice he’d give to new and aspiring DJs

If you would like to support the podcast, please contribute via Patreon ($1, $5, and other subscription options available)


1 – Copied shamelessly from The Track Podcast “About” page

2 – Lindy Focus Video Playlists:

3 – Josh talking about the evolution of drumming and how Swing is different than other forms of music – Josh on drumming.